Matelda and the cloister of Hellfde : extracts from the Book of Matilda of…

(4 User reviews)   1206
Mechthild, of Magdeburg, 1212?-1282? Mechthild, of Magdeburg, 1212?-1282?
English
Ever wonder what a medieval mystic actually thought about? Matelda's not your typical nun—she's having intense, sometimes shocking conversations with God that would make your local priest blush. This book collects her wildest visions from the 13th century, where divine love feels passionate and personal, not distant and formal. She argues with heaven, describes spiritual ecstasy in startlingly physical terms, and questions religious rules that don't match her direct experience. It's like finding someone's secret spiritual diary from 800 years ago, completely uncensored. If you think medieval religion was all about quiet obedience, Matelda will show you fireworks.
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offering proofs of the authenticity of a narrative therein contained. This, in fact—a desire to put myself in my true position as editor, or very little more, of the most prolix among the tales that make up my volume—this, and no other, is my true reason for assuming a personal relation with the public. In accomplishing the main purpose, it has appeared allowable, by a few extra touches, to give a faint representation of a mode of life not heretofore described, together with some of the characters that move in it, among whom the author happened to make one. In my native town of Salem, at the head of what, half a century ago, in the days of old King Derby, was a bustling wharf—but which is now burdened with decayed wooden warehouses, and exhibits few or no symptoms of commercial life; except, perhaps, a bark or brig, half-way down its melancholy length, discharging hides; or, nearer at hand, a Nova Scotia schooner, pitching out her cargo of firewood—at the head, I say, of this dilapidated wharf, which the tide often overflows, and along which, at the base and in the rear of the row of buildings, the track of many languid years is seen in a border of unthrifty grass—here, with a view from its front windows adown this not very enlivening prospect, and thence across the harbour, stands a spacious edifice of brick. From the loftiest point of its roof, during precisely three and a half hours of each forenoon, floats or droops, in breeze or calm, the banner of the republic; but with the thirteen stripes turned vertically, instead of horizontally, and thus indicating that a civil, and not a military, post of Uncle Sam’s government is here established. Its front is ornamented with a portico of half-a-dozen wooden pillars, supporting a balcony, beneath which a flight of wide granite steps descends towards the street. Over the entrance hovers an enormous specimen of the American eagle, with outspread wings, a shield before her breast, and, if I recollect aright, a bunch of intermingled thunderbolts and barbed arrows in each claw. With the customary infirmity of temper that characterizes this unhappy fowl, she appears by the fierceness of her beak and eye, and the general truculency of her attitude, to threaten mischief to the inoffensive community; and especially to warn all citizens careful of their safety against intruding on the premises which she overshadows with her wings. Nevertheless, vixenly as she looks, many people are seeking at this very moment to shelter themselves under the wing of the federal eagle; imagining, I presume, that her bosom has all the softness and snugness of an eiderdown pillow. But she has no great tenderness even in her best of moods, and, sooner or later—oftener soon than late—is apt to fling off her nestlings with a scratch of her claw, a dab of her beak, or a rankling wound from her barbed arrows. The pavement round about the above-described edifice—which we may as well name at once as the Custom-House of the port—has grass enough growing in its chinks to show that it has not, of late days, been worn by any multitudinous resort of business. In some months of the year, however, there often chances a forenoon when affairs move onward with a livelier tread. Such occasions might remind the elderly citizen of that period, before the last war with England, when Salem was a port by itself; not scorned, as she is now, by her own merchants and ship-owners, who permit her wharves to crumble to ruin while their...

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This isn't a novel with a traditional plot. Instead, it's a collection of visions, prayers, and conversations recorded by Mechthild of Magdeburg, a Beguine (a kind of lay religious woman) in the 1200s. We follow Matelda's spiritual journey as she experiences God not as a distant judge, but as a beloved, a bridegroom, and sometimes a frustrating conversation partner. The "story" is the unfolding of this deeply personal, often emotional relationship, filled with moments of sublime joy, painful doubt, and raw honesty that feels startlingly modern.

Why You Should Read It

What grabbed me was Matelda's voice. She's not a passive vessel; she's active, demanding, and full of fiery love. Her descriptions of spiritual experience are incredibly vivid—you can almost feel the warmth and light she describes. It completely shatters the dusty, stoic image we often have of medieval piety. Here, faith is passionate, embodied, and sometimes messy. Reading her feels like getting a direct line to what it meant to be devout and fiercely independent in a time when that was dangerous for a woman.

Final Verdict

Perfect for readers curious about mystical experiences, medieval history from a personal angle, or anyone tired of dry religious texts. If you enjoyed the personal voice in something like Julian of Norwich's Revelations of Divine Love, you'll find a kindred—and even more audacious—spirit in Matelda. It's a short but powerful glimpse into a mind that refused to be confined, even by heaven itself.



⚖️ Public Domain Notice

This work has been identified as being free of known copyright restrictions. You are welcome to share this with anyone.

Jennifer Scott
5 months ago

I rarely write reviews but it creates a vivid world that you simply do not want to leave. Don't hesitate to download this.

Barbara Robinson
3 weeks ago

From a casual reader’s perspective, the presentation of ideas feels natural and engaging. I'm sending the link to all my friends.

Susan Williams
4 days ago

I approached this with an open mind and the author's voice is distinct, making the complex topics easy to digest. This turned out to be a great decision.

Susan Clark
3 months ago

Once I began reading, the presentation of ideas feels natural and engaging. This sets a high standard for similar books.

4.5
4.5 out of 5 (4 User reviews )

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